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Tracks and Traces : ウィキペディア英語版 | Tracks and Traces
''Tracks and Traces'' is the one and only album credited to Harmonia '76, but it is generally regarded as the third album by the highly influential Krautrock/Kosmische Musik group Harmonia. Harmonia was formed by the addition of Neu! guitarist Michael Rother to Cluster, the duo of Hans-Joachim Roedelius and Dieter Moebius. British ambient musician Brian Eno joined the group at Harmonia's studio in Forst, Germany for the September 1976 recording sessions which resulted in this album. Although ''Tracks and Traces'' was recorded in 1976, it was not released until 4 November 1997 by the American Rykodisc label (originally in Germany by the label ''S3'', remastered by Eric Spitzer-Marlyn and Othmar Eichinger), at which time the labels appended "'76" to the group's name. ==Background and recording== Various websites quote Eno as saying that Harmonia was "the world's most important rock band" in the mid '70s, including Sherman Wick in his review of ''Musik Von Harmonia'', the first Harmonia album. Daniel Dumych, who also cites that quote, writes in his article for hyperreal.org: "Perhaps Eno's reason for praising Harmonia so highly was that their music fit the requirements of ambient rock. Its music was equally suitable for active or passive listening. The careful listener found his/her attentions rewarded by the musical activities and sounds, but Harmonia's music was also capable of setting a sonic environment." Clearly Eno had been very impressed with both ''Musik Von Harmonia'' and Cluster's fourth album ''Zuckerzeit'' and had joined Harmonia on tour, first playing with the group at The Fabrik in Hamburg. After Michael Rother left Harmonia Eno continued to work with Moebius and Roedelius, recording two albums: ''Cluster & Eno'' in 1977 and ''After the Heat'' in 1978. Harmonia also continued to influence Brian Eno's work long after its demise. A review of ''Musik Von Harmonia'' on the Cult Cargo website cites the track "Ahoi" as "the blueprint for a couple of the tracks on Eno's ''Apollo'' LP, with its minimalist picked guitar and simple piano runs."
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